Ich werde Sie definitiv weiterempfehlen.Editor’s Note: This is the first in a series of posts on portraits featuring sitters’ backsides. Das Bild wird einen würdigen Platz in unserem Heim finden. Und das Beste ist, dass meine oft skeptische Frau ebenso begeistert ist. Das Ergebnis überzeugt! Zudem kam die Lieferung noch pünktlich zum Weihnachtsfest, sodass die Präsentation des Bildes zu einem Höhepunkt des Abends wurde. Die Schwierigkeit bestand darin, aus der großen Auswahl an Rahmen den für dieses Bild und für den Ort der Platzierung passenden auszuwählen. Ein wahrhafter Meisterdruck mit hochwertigem Rahmen. Ich bin von dem fertigen Kunstwerk begeistert. (Machine translation) Original comment: Ich habe mich für das Meisterwerk von Caspar David Friedrich entschieden (Druck auf Leinwand Satin, Größe 48 x 61 cm, mit Rahmen Gabriella, kein Keilrahmen und mit TruVue Museumsglas). The picture will find a worthy place in our home. And the best thing is that my often skeptical wife is just as enthusiastic. The result is convincing! In addition, the delivery came on time for Christmas, so that the presentation of the picture became a highlight of the evening. The difficulty was to choose the right one for this picture and the location of the placement from the large selection of frames. A true master print with a high quality frame. I chose the masterpiece by Caspar David Friedrich (print on satin canvas, size 48 x 61 cm, with Gabriella frame, no stretcher frame and with TruVue museum glass). Caspar David Friedrich deliberately chooses the dignified clothing to express the solemn mood at the sight of the infinite nature. Mountaineering therefore plays no important role in this painting, but the contemplation of the raised mountains. The frock coat he wears is in fact no mountaineer clothing. If we take a close look at the picture, we notice that the clothes of the hiker are nowhere scoured. Thereby we see his seeing and his balanced and solemn attitude. We see the boundless vastness of nature, as seen by the wanderer, as if we stand behind him, because he shows us his back. The image space becomes unmeasurable and gets something supernatural. Caspar David Friedrich manages to create the impression of an almost infinite expanse through his multi-layered staggering of the various mountains and fog strips. Bright clouds in the sky at the top of the picture then pick up the motif of the nebula in its own way and close it off. On the horizon follows the hint of further mountain lines, which merge with the blue-gray sky. He is probably the Zirkelstein, a rock formation in Saxon Switzerland. On the right side you can see a smaller table mountain. On the picture surface, this mountain, with its falling right contour line, hits the eye area of the hiker. In the background we can see on the left side of the painting behind another fog banks a high cone mountain. These two sloping surfaces, starting from the edges of the image, gradually taper towards the center, so that they almost point at the image surface like arrows on the wanderer's upper body. In the staggered rear follows a sea of fog from the right and left each protrude a mountain formation. In the middle ground, there are some sandstone peaks behind rising fog, which are mainly overgrown with trees on the right side of the picture. In the middle and background of the painting we see a staggered mountain landscape, which is crossed by several fog banks. As a result, the entire posture is balanced, safe and calm despite the dangerous situation. On his other side, he has his left leg one step forward on the rising rock ledge to support himself there. On his right side, the hiker relies on a mountain stick, a hiking stick for the mountains. He wears a dark green frock coat and dark green pants. The hiker stands on a rocky peak with a view of a mountain landscape. 1817) Caspar David Friedrich shows us a male figure in the middle of the picture. In the painting "The Wanderer above the Sea of Fog" (c.
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